If you don’t have a large window to work with, one trick is to move your subject closer to the window (thus increasing the relative size of the light source). Note the hard shadows and rapid transitions on the right-hand side of my subject’s face:Īs you can see, the shadow transitions are far smoother, and the dynamic range of the scene is far more limited. Here’s an image captured using a very small window.
(On the other hand, if you like the high-contrast look of hard light, seek out a smaller window.) But most portrait shooters prefer working with soft light, which is highly flattering and won’t create unpleasant shadows.īecause larger light sources produce softer light, if you want softer light for your portraits, you’re going to need a large window. Of course, what each photographer considers to be “good” light is relative, and you can certainly create amazing portraits using any type of light (given enough time and skill). The first thing you should know about making portraits with window light? The bigger the window, the better the light will look – so if you can find a reasonably large window to work with, you’ll be off to a great start. So if you’re ready to become an expert, then let’s dive right in! 1.
USING REFLECTOR PHOTOGRAPHY HOW TO
How to make your subject’s eyes sparkleĪlong the way, I’ll share examples of infants, children, and adults – all captured with the help of stunning window light.How to position your subject in relation to the light.In this tutorial, I explain everything you need to know for beautiful results, including: Window light is highly accessible, you can use it (for the most part) independent of the weather, and it’s more controllable than outdoor lighting. Outdoor portrait photography is heavily dependent on the weather and the quality of the light, while indoor studio portraits require significant space, not to mention money.įortunately, there’s a fantastic alternative to both these approaches, and it’s what I discuss in this article: Window-light portraits.
Most portrait photographers shoot outdoors or in the studio, both of which come with problems.
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